Sunday, 30 November 2008
Leaving behind...
Posted by
Amritbir Kaur
at
6:53 PM
4
comments
Labels: literary thoughts, memories, my articles
Sunday, 23 November 2008
The Yardsticks of Life - Success and Failure
Posted by
Amritbir Kaur
at
7:16 PM
2
comments
Labels: my articles
Saturday, 15 November 2008
'Vibrations' - the blog
Enjoy travelling through this blog and feel the vibrations!
Posted by
Amritbir Kaur
at
8:45 PM
1 comments
Labels: blogs
Woof Contest Top 5 - dated Nov. 7
Poetry
Penelope Anne Bartotto - “Never” - 100 words on being true to yourself.
Robert Bourne - “Shadowed Soul” - A poem of how I grew after years of hiding what was inside.
Dragon Blogger - “The Taste Of A Hamburger” - A poem based on a twitter contest where I write a poem based on random words. This one turned out to be a poem about a hamburger.
About Writing
Writing Nag - “7 Ways to Keep the Passion for the Writing Life” - Like any relationship your writing life needs to be nurtured. Find new ways to fall in love with writing again.
Non-Fiction, Philiosophical, Opinion
PieceMike Fried - “Proud To Be An American” - The Writer’s thoughts on the Presidential Election.
Posted by
Amritbir Kaur
at
6:18 PM
0
comments
Labels: writing contests
Thursday, 13 November 2008
R. L. Stevenson's Poetry - A Tribute on his Birthday
The aim of this post is to highlight the poetic masterpieces that have been created by Stevenson. We have all read much about his novels especially, the most about ‘Dr. Jekyll and Mr. Hyde’. (I had written a post earlier about it: ‘The Strange Case of Dr. Jekyll and Mr. Hyde’
I would like to share one of his poems here for my readers:
As from the house your mother seesYou playing round the garden trees,So you may see, if you will lookThrough the windows of this book,Another child, far, far away,And in another garden, play.But do not think you can at all,By knocking on the window, callThat child to hear you. He intentIs all on his play-business bent.He does not hear, he will not look,Nor yet be lured out of this book.For, long ago, the truth to say,He has grown up and gone away,And it is but a child of airThat lingers in the garden there.
Robert Louis Stevenson
Among his more famous poems is ‘Requeim’ that was published in his collection of poems called ‘Underwoods’
UNDER the wide and starry sky
Dig the grave and let me lie:
Glad did I live and gladly die,
And I laid me down with a will.
This be the verse you 'grave for me:
Here he lies where he long'd to be;
Home is the sailor, home from the sea,
And the hunter home from the hill.
R. L. Stevenson died on December 3, 1894, which left his last writing ‘Weir of Hermiston’ unfinished. It was later on published in 1896.
This is what we can in the end (in Stevenson’s own words):
Leave not, my soul, the unfoughten field, nor leave
Thy debts dishonoured, nor thy place desert
Without due service rendered. For thy life,
Up, spirit, and defend that fort of clay,
Thy body, now beleaguered; whether soon
Or late she fall; whether to-day thy friends
Bewail thee dead, or, after years, a man
Grown old in honour and the friend of peace.
Contend, my soul, for moments and for hours;
Each is with service pregnant; each reclaimed
Is as a kingdom conquered, where to reign.
Posted by
Amritbir Kaur
at
9:29 PM
1 comments
Labels: British authors, R.L. Stevenson
Friday, 7 November 2008
Albert Camus (7 November 1913 – 4 January 1960)

Posted by
Amritbir Kaur
at
7:00 PM
0
comments
Labels: Albert Camus
Wednesday, 29 October 2008
Reflection - a viewpoint
If we take the word in terms of our life and our personality, we will find that what kind of life we are leading is nothing but a reflection of the type of personality we have. The fact that the scene of life changes the moment we change our outlook and attitude towards it, stand testimony to the declaration made in the previous sentence (to quote myself: “life is but a reflection of our personality”). Just as the image in the mirror reflects what we present before it, similarly our life is what we make of it.
We, as humans, are often apprehensive of the ‘self-assumed’ oncoming problems of our future life, so much so that sometimes the problem itself does not exist or is very negligible, and it is only our thinking that makes it all the more profound and so ensnaring. Charles Dickens has rightly remarked, “Reflect upon your present blessings - of which every man has many - no on your past misfortunes, of which all men have some.”
To save ourselves of this trap of unhappiness or misfortune we should reflect upon the moments of joy that we have experienced in the past times. And we would find a sudden transformation. There would be miraculous escape from most of the problems and tensions of our life. This is possible because of that ‘inward glance’ because basically the answer lies within us; as it is said ‘It is all in mind’.
Trying knowing yourself and you’ll know the world in a much better way!
Posted by
Amritbir Kaur
at
7:54 PM
2
comments
Labels: Charles Dickens, my articles, quotes
Tuesday, 28 October 2008
Oscar Wilde's 'The Picture of Dorian Gray'

The novel is a classic example of the gothic horror fiction. The theme of the novel has a Faustian theme – the protagonist Dorian Gray wishes that his portrait would age rather than himself. And his wish is fulfilled. Then there is a series of sins.
The novel begins on a flowery note. What I mean by this will be obvious from the following opening lines:
“The studio was filled with the rich odour of roses, and when the light summer wind stirred amidst the trees of the garden there came through the open door the heavy scent of the lilac, or the more delicate perfume of the pink-flowering thorn.”
Here is another of the memorable quote from the book:
“ . . . there is only one thing in the world worse than being talked about, and that is not being talked about."
Posted by
Amritbir Kaur
at
9:28 PM
1 comments
Labels: British authors, Oscar Wilde
Monday, 27 October 2008
Expressionism
German expressionist dramatists such as Georg Kaiser, Ernst Toller and the early Bertolt Brecht, inspired by the Swedish playwright August Strindberg, avoided depictions of individualized characters in realistic settings. Strindberg’s ‘Dream Play’ with its fragmented, stylized action and its flowering castle, had shown the way to a new theatrical symbolism.
In general, the Expressionists rejected the imitation of external reality in order to express either a private, inner vision or a wider political one of a world often depicted as bizarre and violent.
In American drama, some of Eugene O’ Neill’s plays, particularly ‘The Emperor Jones’ (1920), ‘The Hairy Ape’ (1922) and ‘The Great God Brown’ (1926), with its use of masks, were influenced by Expressionism in their departures from certain realistic conventions of drama.
The term Expressionism is problematic since it can be used to describe virtually any of the deliberate distortions or departures from reality that pervade modern literature and art. Thus, the fragmentary construction of T.S. Eliot’s ‘The Waste Land’, the symbolic metamorphoses of characters in Joyce’s ‘Finnegans Wake’ and Kafka’s ‘Metamorphis’ can be regarded as examples of Expressionism, but such an imprecise designation embracing so many disparate works, casts doubt on its usefulness as a literary description.
Posted by
Amritbir Kaur
at
9:09 PM
0
comments
Labels: literary criticism
Saturday, 25 October 2008
Woof Contest - Oct. 24
Top 5 writings in Woof contest hosted by PlotDog Press
Poetry
Romeo - “The Natural World” - A short poem about nature and its beauty.Jennifer M Scott - “Seeking Sun” - An avant garde poem about fall.
About Words / Writing
Kimota (Jonathan Crossfield) - “Time, Productivity and the Writer” - A look at how writing isn’t necessarily as quick to produce as many outsiders believe. Taking three hours to produce 100 words might seem odd, but is perfectly legitimate to produce quality copy.
Fiction
Ferox - “Is that a Dragon?” - Things must be observed to exist. Otherwise, they can be anything.
~willow~ - “it’s all a matter of perspective…” - …where a young girl knocks a new perspective into an otherwise downcast boy on a bright autumn day…
Posted by
Amritbir Kaur
at
10:25 AM
0
comments
Labels: writing contests
Friday, 24 October 2008
'Impressionism' in Literature
The literary use of the term ‘Impressionism’ is, however, far less precise. Many of the French Symbolist poets have at one time or another been called Impressionists. In England, Walter Pater, concerned with aesthetic matters, used the term ‘impressionism’ in ‘The Renaissance’ (1873) to indicate that the critic must first examine his own reactions in judging a work of art. Arthur Symons felt that the Impressionist in verse should record his sensitivity to experience, not the experience itself; he should express the inexpressible. In Wilde’s ‘Impression du Matin’, perhaps influenced by Whistler’s painting, the Impressionist technique is apparent in the subjectivity of description.
In the modern novel, ‘Impressionism frequently refers to the technique of centering on the mental life of the chief character rather than on the chief character rather than on the reality around him. Writers such as Proust, Joyce and Virginia Woolf dwell on their character’s memories, associations, and inner emotional reactions. In ‘A Portrait of the Artist as a Young Man’, for example, Joyce presents Stephen Dedalus’ unarticulated feelings but little of physical surroundings.
Posted by
Amritbir Kaur
at
9:02 PM
0
comments
Labels: literary criticism
Monday, 20 October 2008
Jane Austen on Pride and Vanity
Jane Austen has been my one of my all time favourites ever since I was in school. Although we might say all of her novels have a limited area that they cover (as a critic has said 'she worked on six inches of ivory) but even in this restricted field she has given such valuable insights about human personality. It is not that we need a very wide canvas to convey our feelings and messages.
For instance, in her very famous novel 'Pride and Prejudice' she has remarked:
"Vanity and pride are different things, though the words are often used synonymously. A person may be proud without being vain. Pride relates more to our opinion of ourselves, vanity to what we would have others think of us."
Now we can't have so clear a distinction between the meaning of the two words - Pride and Vanity - even from the dictionary itself.
So the next time you read a book by Jane Austen, locate the statements wherein lies the essence of reading the book. It is not whole book that we cherish later on after having read it. it is only for such meaningful statements that keeps it close to our heart.
Posted by
Amritbir Kaur
at
10:07 PM
0
comments
Labels: British authors, quotes
Sunday, 19 October 2008
'Brevity is Soul of Wit'
For understanding the essence of the phrase ‘brevity is the soul of wit’ let us first try to comprehend what wit really means. The meaning of wit has undergone periodic change. In the Renaissance the word ‘wit’ meant wisdom or ‘intelligence’. Coming to the seventeenth century, it came to mean ‘fancy’, implying the kind of thought and language used in the metaphysical poetry, composed by the likes of John Donne.
Sometimes the word ‘wit is now used synonymously with ‘humour’ but this is only partially true. In the modern times the word ‘wit’ connotes intellectually amusing utterances. So we can safely say that with is human with a tinge of intellectual element, that is, a mixture of humour and wisdom.
Alexander Pope, while defining a true wit, has remarked “What oft was thought, but ne’er so well expressed”. This brings us to the association of the element of brevity with the concept of wit. Even in our daily life we often stand witness to the situations like – sometimes a person cracks a joke but nobody laughs, while at other times only a statement consisting only of a few words clicks and is able to evoke roars of laughter. This is where the role of brevity in wit comes in. Pithy and precise statements can exercise the desired influence. As opposed to this, humour gets lost in the downpour of words. Verbosity can never be the basis and soul of wit.
So be careful, next time you say something to make someone smile, make it brief!
Posted by
Amritbir Kaur
at
10:03 AM
2
comments
Labels: my articles, quotes, Shakespeare
Wednesday, 15 October 2008
Arvind Adiga wins Man Booker Prize 2008
Adiga is the fourth Indian born author to win this prize after – Salman Rushdie, Arundhati Roy and Kiran Desai, who won the prize in 1981, 1997 and 2006 respectively (V.S. Naipul is not to be counted because not an Indian by birth). Adiga was born in Chennai (Andhra Pradesh) and now in Mumbai (Maharashtra, India). His novel, ‘The White Tiger’ is about the journey of a man from his rural life in an Indian village to achieving success in enrepreneurship.
So grab a copy of ‘The White Tiger’ and enjoy! I am certainly going to do so.
Posted by
Amritbir Kaur
at
8:07 PM
2
comments
Labels: Literary awards, Man Booker Prize winner





























